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CANADA-RUSSIA
SERIES
/ VOLUME VII
a joint project of the
Centre for Research on Canadian-Russian
Relations
at Carleton University
and the
Slavic Research Group
at the University of Ottawa
Leo Tolstoy
and the
Canadian
Doukhobors:
an historic
relationship
by
Andrew
Donskov
Dedicated to the memory of
Lidija Dmitrievna Gromova
1925-2003
Cover art
by Doukhobor artist
Jan Kabatoff
Cover layout
by Pierre Bertrand
xiv + 473 pp.
CRCRR
Published
at Ottawa by the
Centre
for Research on Canadian-Russian Relations
Carleton
University
2005
ISBN 0-88927-320-0
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A L L T E X T
I N E N G L I S H
Including:
* Guest essays by three prominent
Doukhobors:
artist Jan Kabatoff
historian Eli A. Popoff
ethnographer Koozma J. Tarasoff
plus
* Archival documents by Sergej
L'vovich Tolstoy
and Sofia Andreevna Tolstaja
* 32 archival letters on Tolstoy
and the Doukhobors
* Doukhobor timeline
* Chronology of 500 of Tolstoy's
letters concerning Doukhobors
* 48 illustrations
* Bibliography and index of
names
Distributed by
Penumbra
Press
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THIS
STUDY, based in good part on a variety of hitherto unpublished
documents (government and official Orthodox Church reports, diaries and
letters, as well as Tolstoy's treatises and works of fiction), and complemented
by guest essays, oral interviews and questionnaires, seeks to trace (both
historically and from literary sources), the nature of the evolving relationship
between one of Russia's greatest writers (along with members of his family)
and the people known as the Doukhobors, to whom he was a kindred spirit,
lending his moral and financial support to their emigration en masse to
Canada in 1899.
A pragmatist,
Tolstoy was not content to confine his creative output to the philosophical
plane. He was constantly searching for practical examples to illustrate
his theories and ideas on the attainment of truth and on the meaning of
life. He had for some time been looking to the simple peasant way
of life to satisfy this need. It was in the Doukhobors' beliefs and
especially in their lifestyle, their honest toil and living from the land,
their communal sharing, their pacifist principles, the love of God they
cherished within themselves and their endeavours to follow Christís
teachings in deed more than in word, that Tolstoy saw the practical embodiment
of the ideals he himself would have liked to achieve.
In other words,
Tolstoy needed the Doukhobors to provide a tangible illustration of the
inseparability of the spiritual and the practical, and this endeared him
to successive generations of the sect's members, especially in view of
the close commonality of their outlook on life. Their symbiotic relationship
is summed up in a statement from his letter to them of 1897: "You are taking
the lead, and many are grateful to you for that.Ö There is so much
I would like to tell you and so much to learn from you."
.
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From
the Introduction
While a number of studies exist
on the subject of Tolstoy and the Doukhobors, no one has systematically
investigated their relationship (not to mention the involvement of other
Tolstoy family members) from its beginning in the 1880s right up to Tolstoy's
death in 1910, or included in their study the views of current Doukhobors
on the subject.
In this work, my objective
is to provide a sustained and detailed study of how both parties (including
Tolstoy's family) viewed the other and how each drew upon the other's ideas
and activities, to investigate the extent and nature of the involvement
of Tolstoy and his family in the Doukhobors' affairs, to examine the consequences
of their actions and the personal sense of fulfilment they derived from
their involvement.
My investigation will
be based on a study of (a) a half dozen of Tolstoy's articles on the Doukhobors,
(b) more than 500 of his letters to or concerning the Doukhobors, (c) letters
written to Tolstoy (both published and unpublished) by or concerning Doukhobors,
(d) government and church reports and accounts, (e) the Doukhobor journal
Iskra.
I shall also seek to explain the Doukhobors' role in at least two of Tolstoyís
fiction works -- namely, the novel Resurrection (begun in 1889)
and the play And the Light shineth in darkness (unfinished, begun
in the late 1880s).
From
Chapter 5: The Doukhobors in Tolstoy's writings
[On Resurrection:]
No other work by Tolstoy in the last two decades of his literary activity
was subjected to so many corrections and redactions, and the corrections
themselves required multiple editings (for an example, see Illustration
28 below). Add to that the pressure for haste felt by the author
to raise the funds (through royalties from the novel) needed for the Doukhoborsí
emigration. ... One can only imagine the writerís pain (for he was an incorrigible
corrector of his own works) at having to compromise his principles in order
to hasten the novel's publication (with a view to facilitating an earlier
departure of the Doukhobors for Canada). Not only that, but the novel
owes its very existence as a published work to the Doukhobors -- at the
Doukhobor Centenary conference in Ottawa in 1999 Lidija Gromova declared
her conviction that "the novel Resurrection would have remained
unfinished and unpublished if there had not been the need for funds to
help relocate a persecuted people".
Click on the links below to see other volumes
in the Canada-Russia Series
by members of the Slavic Research Group
.
Click on the links below to see our volumes
in the Tolstoy Series
.
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