Discover the artists of SimArts 2025

A few of our Visual Arts students have agreed to speak to us about themselves and their art.

Ballot box

What is your favourite piece?

Nellie Dadabaeva

Nude Figure Study Artwork

Artwork: Nude Figure Study

Technique: Acrylic paint on canvas, varnished
Size: 20'' x 24''
Year: 2025

Description of artwork:
This painting of a woman was done in a cubist style; I sought to reshape the female body through visually pleasing geometrical shapes and lines. The colour remains fluid, and one can see the brush strokes, providing a sense of relaxation that contrasts with the rigidity of the shapes. The viewer is asked to search through these shapes for the woman’s silhouette, working around aspects like colour, line and symmetry.

Description of the creative process:
I was inspired by historical practitioners of cubism and sought to build an interpretation of my own, mixing different styles like loose, impressionistic painting with the rigidity of cubism’s rules. The subject matter of this painting is simple, merely referring to a study of a body, but it plays an important role in beginning my journey of reshaping how I see the world. This painting required a proper balance of looseness and rigidity, of experimentation and conventionality.

Chance Artwork

Artwork: Chance

Technique: Collage of drawings
Size: 9'' x 11''
Year: 2025

Description of artwork:
This artwork is a collage of drawings that I had cut to put together to create something unpredictable; it contains a series of figure studies, objects and animal studies. This was a drawing project based on the idea of trusting a process rather than needing constant intervention; it led me to embrace and rediscover the unpredictable nature of art.

Description of the creative process:
As I was creating this piece, I thought about the relationships between planned and unplanned creation — how both of them offer something different. I started off with a collection of drawings that required technical skill and displayed elements of predictability — then, by deliberately cutting up those drawings and assembling them into a collage, I discovered new compositions and chased the allure of taking a chance. This piece challenged what it meant for me to take risks, with each decision commencing a dive into the unknown. It formed a bridge between the tensions that are evident in the act of creation.

About the Artist

A bit about yourself:

I am a first-year student studying visual arts at uOttawa; I work across multiple mediums, including digital arts, photography, drawing, painting and sculpture. I am interested in the way that creativity translates through different mediums and enjoy experimenting with tools that are new to me; subjects like space, time, memory and identity are topics that influence my work. My goal is to create compelling artwork that interacts with its surroundings and influences the way that people view the world.
 

If you could meet any artist dead or living, who would it be?

If I could meet any artist, it would be Picasso; I am inspired not only by his devotion and excitement for his work, but also by the way that he challenged conventional ways of seeing. I am drawn to the way he visually remoulds things, highlighting certain aspects and features of his subject. I intend on building off of cubism, mending it with other styles in an experimental manner that creates something bizarrely new.
 

How has the visual arts department helped shape you as an artist?

The Department of Visual Arts has helped my practice by providing me with an exceptionally inspirational environment; from comforting studios to intelligent professors, I am provided with a place in which my ideas are heard and matter. There is also lots of room for experimentation and reaching beyond your comfort zone; although there have been learning curves, I’ve been presented with so many new ideas and possibilities. The Department of Visual Arts is helping me evolve into the artist that I want to be.

Taryn Dutton

Kaleidoscope Eyes Artwork

Artwork: Kaleidoscope Eyes

Technique: Digital photography and digital collage
Size: 42'' x 38''
Year: 2024

Description of artwork:
This is a collage made up of my series of photos from Red Water. This collage aims to disorient the audience while simulating feelings of dissociation. The repetition of the same body and face aims to provoke feelings of viewing yourself from the third person and recalling yourself in different times and spaces as you have trouble experiencing the present moment.

Ethereal Escape Artwork

Artwork: Ethereal Escape

Technique: 4'' x 5'' photography, digitally printed
Size: 17'' x 22''
Year: 2024

Description of artwork:

This piece is a part of the Red Water series. In this series, I examine the romanticization of mental illness, contrasting its esthetic portrayal with the raw reality of vulnerability and fragility through photography. The work captures fleeting moments of suicidal ideation, reflecting the emptiness, alienation and isolation that often accompany depression. This photograph captures the moment when we get the strength and tap into our resilience to remove ourselves from a negative mindset.

About the Artist

Description of the creative process:

I start my photo shoots with a concept in mind and then engage in a dance or sometimes battle with the camera. I treat my shoots as a performance piece in itself, not necessarily caring about the outcome but enjoying the moment and the feelings throughout the process.

A bit about yourself:

I am a second-year BFA student with an interdisciplinary focus on digital and analog photography, sculpture and painting. My work explores themes of femininity, identity and the deeply personal and familial experiences of navigating hereditary mental illness.

If you could meet any artist dead or living, who would it be?

I would meet Diana Thorneycroft. My digital photography professor showed me a book of her work, and I fell in love. She did very creative, out-of-the-box work in the darkroom and in camera using a lot of props. Her themes are very inspirational, and the way she executes her thought process is so successful, I hope to obtain this form of clarity in my art one day with the same level of experimentation.

How has the visual arts department helped shape you as an artist?

The visual arts department has helped shape me as an artist by giving me access to explore many different disciplines and meet exceptionally experienced professors. Without the visual arts department, I would not have found my love for photography and sculpture. The friendliness and desire to help students that the staff have has made my experience a phenomenally welcoming and enlightening one. I would not have learned the amount of skills and enjoyed the process as much if there were not this welcoming and encouraging aura to the visual arts department.

Delaney Dye

CatchOfTheDay Artwork

Artwork: Catch of the Day (Gone Fishin’ 0.5)

Technique: Acrylic on paper
Size:  22.5'' x 30''
Year: 2024

Description of artwork:
As a child, I used to do catch-and-release fishing with my grandma off my aunt’s dock along the St. Lawrence River. Years later, my grandma tried to take my cousin to fish in the same spot, but it was no longer possible due to a lack of fish in the river. “Catch of the Day” is the first in my Gone Fishin’ series, in which I superimpose my current self with my memories of fishing at my aunt’s while simultaneously distorting those experiences by physically distorting the fish, addressing the impossibility of my childhood experiences in the present time.

Abroad, at Home Artwork

Artwork: Abroad, at Home

Technique: Acrylic on wooden panel
Size:  30'' x 38''
Year: 2025

Description of artwork:
Last June, as a family trip, I visited the south of France for the first time. I had anticipated a certain extent of belonging due to my family ties there, but I found myself feeling more alienated and out of place there than I had anticipated. I had expected the cultural differences, yet I was more thrown by things as simple as the shape of the trees.

About the Artist

Description of the creative process:

My work generally deals with personal or familial experiences; I usually begin with a concept and then consider how I might be able to depict that concept visually. Sometimes I struggle with both concept and visual and have to lie on my floor until I come up with something I’m happy with.
 

A bit about yourself:

I’m primarily interested in painting, and whenever I diverge, I usually find myself thinking that whatever I’m making would be much better as a painting.

If you could meet any artist dead or living, who would it be?

I love Peter Doig’s work, and I really admire his creative process. I’d love to discuss with him how he became the titan of contemporary art that he is today.

How has the visual arts department helped shape you as an artist?

I believe that the most efficient way to improve as an artist is to surround yourself with fellow artists who are also trying to grow and better their own practices; an example of one such environment would be the Department of Visual Arts. As my second year draws to a close and I watch my friends and classmates push themselves, I can’t help but strive to do the same.

Tony Fang

Dream Garden Artwork

Artwork: Dream Garden

Technique: Acrylic
Size: 30'' x 24''
Year: 2024

Description of artwork:

Based on the theme of an experimental garden and viewpoint, the garden aims to evoke a dream-like feeling. I kept trying to envision the scene, and I was inspired by many horror movies as well. As I combined the ideas, I wanted to create a beautiful but uneasy scene with subtle details that can be uncanny.

Prometheus’ Space Station Artwork

Artwork: Prometheus’ Space Station

Technique: Acrylic
Size: 30'' x 24''
Year: 2024

Description of artwork:

A humanoid robot imitates the acts of humans in a desolate space station. Based on artificial intelligence and the mimicry of humans.

About the Artist

Description of the creative process:

During the creation process, I always try to envision what the end goal would look like, along with what items and details I want to add to achieve my desired feel. I generally work quite spontaneously, with days where either a lot of progress is done or little to none.
 

A bit about yourself:

I am interested in many aspects of visual arts, especially painting. I enjoy the versatility and how it seems like an ephemeral match, as I feel there is a point of completion and I only revisit to analyze but not work on it again.
 

If you could meet any artist dead or living, who would it be?

If possible, I would want to meet Gustave Moreau, as I really admire his composition and colour palette. Furthermore, I enjoy how he paints faces and how he subtly makes particular parts of the painting eye-catching.
 

How has the visual arts department helped shape you as an artist?

The visual arts department provided valuable opportunities and insights through not only courses but also the facilities available. The group critiques also greatly motivated me to improve my work ethic and see what others have created.

Kaitlyn Fleming

Kaitlyn Fleming-Intervention Artwork

Artwork: Intervention

Technique: Oil on acrylic
Size:  22'' x 28''
Year: 2025

Description of artwork:
“Intervention” is an art piece made to comment on the climate crisis, and the restricted time that the human race has to fix their mistreatment of nature. The scene depicts hands sewing a blue sky-coloured curtain, demonstrating that it’s either pick up our mistreatment or be shut off from our very own existence. We must intervene in our commercialization and industrial ways, or else nature itself will intervene in our industrial greed, forcing us to stop or ending humans altogether.

Description of the creative process:
I made an orange-coloured background with acrylic, and hopped immediately to oil painting on top. I loved the process of my creativity, as my process of making art is mostly meaning first, and figuring out my means of demonstration after.

Abstract 1 Artwork

Artwork: Abstract 1

Technique: Acrylic with oil on top to enhance moments
Size:  18'' x 24''
Year: 2024

Description of artwork:
A deep dive Kaitlyn had into the world of abstraction. With absolutely no objective, she found herself guided toward an energetic piece that resulted as such. This piece was more about the process, as Kaitlyn discovered a new process of creation apart from her orignal means of creation (meaning first, art second).

Description of the creative process:
I’ve never truly put such commitment into an abstract piece, where feeling goes first and meaning surrenders to the viewer. As I explore art in ways I haven’t done before, this piece is a great representation of how challenging yourself can lead to something great!

About the Artist

A bit about yourself:

I am a BFA student at the University of Ottawa. I love to express messages and make change. I do not have specific mediums I prefer to practise, as everything has its own purpose, though I tend to lean towards painting. I’ve always wanted to help people, and so my art has always followed that direction. Whether it be inspiring or inflicting thought, my goal is to invoke feeling and thought upon others.
 

If you could meet any artist dead or living, who would it be?

Tahlia Stanton is an artist I’ve always wanted to have a conversation with. I love her; she has such a beautiful approach to her technical side, and her feelings side of her paintings. Tahlia has inspired me since Grade 10 in high school, and will continue to as she changes how she practises her art.
 

How has the visual arts department helped shape you as an artist?

I find myself guided toward my own practice more than ever. In high school, I was encouraged, though in this program, I find the one-on-one opportunities with professors keeping me in check with my practice. From the very few studio classes I’ve had (four now), I’ve found my voice is becoming refined. I’m discovering myself more than ever! I’m so excited for what I have planned, you don’t even know!!! I’ve got a lot of ideas.

Ishani Ghosh

Holding Artwork

Artwork: Holding

Technique: Oil on panel
Size: 20'' x 22''
Year: 2024

Description of artwork:
A veiled woman sits, holding a lit diya. She is shrouded in various fabrics that obscure her face, yet she sits straight, dominating the visual surface.

And yet, here I am Artwork

Artwork: And yet, here I am

Technique: Oil on canvas
Size: 36'' x 48''
Year: 2024

Description of artwork:
A woman stands alone, holding water lilies, as fire engulfs her face and shoulders.

About the Artist

Description of your creative process:

I collect several images of personal and impersonal origin. In particular, I have chosen to focus on my heritage and culture in these series. I often collage different elements from different images/photographs to create a composition, which I use as a reference to paint.

A bit about yourself:

Ishani is a visual artist specializing in oil painting, combining the technical mastery of Western classical art with themes centred on Indian womanhood. Her work delves into the resilience, strength and duality of empowerment and oppression experienced by women in India, drawing inspiration from cultural narratives, mythology and personal experience. Currently completing her final year in the Bachelor of Fine Arts at the University of Ottawa, she seeks to bridge cultural perspectives through her art. Her pieces, rich in intricate details and elegance, celebrate the divine feminine while sparking meaningful dialogue about gender and societal norms.

If you could meet any artist dead or living, who would it be?

This is a cliché answer, but Leonardo da Vinci or Claude Monet.

How has the visual arts department helped shape you as an artist?

It has exposed me to different views concerning the scope of what art is and can be. It has challenged me to question my practice of painting, my subjects, my ideas and my own identity.

Helena Granger

North Star Artwork

Artwork: North Star

Technique: Acrylic on mat board
Size: 10'' x 8''
Year: 2024

Description of artwork:
A golden retriever chasing its tail on a blue background, with a Woodland icon shining above.

About the Artist

Description of the creative process:

I enjoy representing my culture through referencing Woodland art and symbolism. I tend to create my ideas in my sketchbook, then employ them all together in final paintings. I find my references and inspiration everywhere in life.

A bit about yourself:

I am a Queer Indigenous painter from downtown Ottawa. Being urban-born and a child of a Sixties Scoop survivor meant that I was raised outside of traditional Indigenous culture. I believe it’s incredibly important to share my family’s story within my works, and to create a visual presence for the grossly under-represented urban Indigenous experience.
I enjoy combining elements of Anishinaabe Woodland-style painting with my formal education in art. I tend to incorporate Woodland iconography within my three-dimensional spaces.

If you could meet any artist dead or living, who would it be?

Benjamin Chee Chee.

How has the visual arts department helped shape you as an artist?

The visual arts department has provided me the community I needed to develop my practice. Access to feedback and collaboration is imperative to fine arts.

Nicole Horgan

Solitude Artwork

Artwork: Solitude

Technique: Acrylic and wax on stretched canvas
Size: 48'' x 40''
Year: 2025

Description of artwork:
This piece represents the solitude felt while navigating a depressive episode. The melting of wax is the depiction of the loss of sense of time while experiencing depression, while the somewhat hidden face shows the loss of sense of self. The nakedness is a mark of the vulnerability that accompanies discussing subjects regarding mental health and the social stigma that still surrounds it.

About the Artist

Description of the creative process:

This piece was done for my intro to painting class, with a prompt “Ugly/Beautiful.” I wanted to paint with a harmonious palette while illustrating an upsetting aspect of depression. I started with multiple sketches and then took an enormous amount of reference photos. As for the painting aspect, I found my favourite part to be painting the sheets since this is when it truly started to come together. However, overall, dripping the wax was by far the highlight of this piece for me. I look forward to working more with 3D elements in the future.
 

A bit about yourself:

My name is Nicole Horgan, and I am a third-year student in interdisciplinary studies at uOttawa. This was my first painting class at university and has cemented my interest in visual arts. My focus in art surrounds moths, and a huge amount of my work integrates them in some manner.
 

If you could meet any artist dead or living, who would it be?

I would love to meet Claude Monet and hear his process with Water Lillies. I was fortunate enough to have seen some of them in France and was completely blown away by both the scale and fluidity of the brush strokes.
 

How has the visual arts department helped shape you as an artist?

I would like to thank Sarah Tompkins for being such a wonderful introduction to my experience with the visual arts department. Her teaching has absolutely helped shape me into a better artist, both in my navigation of the art world socially and with my approach of painting. I believe she has made a huge impact not only on me but on many other students, and I cannot thank her enough. She is an inspiration, and I am forever grateful for her dedication and passion that was so clearly evident throughout the course.

Sarah Kuchciak

Paradis est une Chambre Artwork

Artwork: Paradis est une Chambre

Technique: Large-format 4'' x 5'' film photography print
Size: 32'' x 40''
Year: 2024

Description of artwork:
Modelled after painted portraits of women by men in 19th-century France, this self-portrait explores themes of body image as criticized by the self, perceived by the camera and sexualized by the viewer. This piece uses typical conventions of the male gaze and questions the role of audience complacency in the commodification of the female model.

Description of the creative process:
I first researched paintings of women by French male painters such as Courbet and Fragonard to emulate as a self-portrait. I decorated my set with many lights and textures to give the illusion of a bedroom/shower. I then set up my 4 x 5 large-format camera with a shutter cable to snap the photo and posed in front of a mirror. I took out my negative while I reframed and placed it back in to create an in-camera double exposure, which I then developed, scanned, edited and printed.

Red Hands, Dirty Paws Artwork

Artwork: Red Hands, Dirty Paws

Technique: Photo collage turned into painting
Size: 18'' x 24''
Year: 2025

Description of artwork:
“Red Hands, Dirty Paws” is a painting where fruit as a metaphor for the human body meets performance art and photography. A still life of selected raw fruits are ripped apart with bare hands. Like guts on display, the aftermath is posed beautifully before being photographed. The stills then inform a painted collage in acrylic where the pieces meld together. This piece explores themes of sexual violence and the way women are expected to perform for others.

Description of the creative process:
This piece has taken many forms over its production. It began as a video and performance where hands arranged, crushed and ripped apart each piece of fruit. After the course of destruction, I photographed the aftermath from various angles and lighting styles to emphasize certain details: the seed entrails, juices and bruised forms. From these photos, I collaged pieces together in Photoshop, which gave me the references for my final painting.

About the Artist

A bit about yourself:

I am a third-year Bachelor of Fine Arts candidate at the University of Ottawa. My main medium is photography, which I use to inform my other artistic practices. I enjoy street photography, as well as pulling inspiration from history and literature. I also love working with film by mixing analog darkroom techniques with contemporary photo practices and mixed-media collaging.

If you could meet any artist dead or living, who would it be?

I would choose to meet Henri Matisse, as he has a wide variety of practices over his career that interest me. I love the bright colours and figuration of the Fauvist era, and I especially admire his many goldfish paintings. I also love his cut-out works in the last decade of his life, which have inspired paintings and collages of my own.

How has the visual arts department helped shape you as an artist?

The visual arts department has offered me an avenue to explore mediums in a way I never had access to as a beginning artist. Through the darkrooms and the amazing photo/media professors and technicians, I have discovered my love for photography. Through the advice of staff and peers, I have developed work and new ideas in a way I never would have if I had not gone to art school and been surrounded by creatively minded people.

Charles Lin

Swimming Skies Artwork

Artwork: Swimming Skies

Technique: Acrylic on canvas
Size: 16'' x 20'' x 1¾''
Year: 2025

Description of artwork:
A painted representation of a long-exposure photo taken while driving through Ottawa’s downtown.

Description of the creative process:
The project instruction was to use non-traditional tools. I went through four different ideas, and they all represented an abstracted form of space. Most of them were unsuccessful, so in the end I chose a simpler reference. I created the background with a palette knife, which I think gave it a rather jagged and less artificial look, and also contrasted nicely with the cleaner-looking light trails.

Hole in the world Artwork

Artwork: Hole in the World

Technique: Acrylic on canvas
Size:  20'' x 16'' x 1¾''
Year: 2025

Description of artwork:
A painting based on two photographic works from the book Prégnances: Lavis de Colette Deblé, peintures by Jacques Derrida and Colette Deblé.

Description of the creative process:
Some of the photo references feature cut-outs of people placed in pastoral landscapes. I took a silhouette from one picture and imposed it onto the background of another, and along the way I thought it would be intriguing to have the cut-out be purely white to make the figure look like a vacuum in reality instead of a block of wood. My favourite part of the process was the water effects; I really enjoyed the ripple and warping, as it almost adds a sense of impressionism to the otherwise mundane scene.

About the Artist

A bit about yourself:

Third-year BFA; main medium is illustrating in graphite, though I also dabble in acrylic painting and photography. Hopefully in the future, I can do some kind of illustration job, or otherwise do something related to art. Also, I have read over 3 million words’ worth of fanfics.
 

If you could meet any artist dead or living, who would it be?

There are a few online artists and writers I kind of want to interact with. I just have no overwhelming need to meet any famous artists face to face right now.
 

How has the visual arts department helped shape you as an artist?

I was introduced to some fun techniques/tools, and was able to create some interesting art pieces, many of which I would like to expand upon. It also introduced me to some students and profs that I wish to keep in contact with.

Mégane Lamoureux

Heart Bouquet Artwork

Artwork: Heart Bouquet

Technique: Piping
Size: 12'' x 12'' x 4''
Year: 2025

Description of artwork:
This is a bouquet of flowers, with a bleeding heart in the centre. Inside the flowers are white worms and blood from the heart. I used cake-decorating tools to make the flowers and white worms. The heart is made of plaster.

About the Artist

Description of the creative process:

With every work I create, I’m always trying to experiment. I worked in a bakery for a few years. We made cakes decorated with flowers. I remembered how to make those flowers, so I wanted to try it out, but with paint this time. As for the heart and the white worms, I like to make things that look grotesque. A lot of my other works feature the body or body parts.

A bit about yourself:

I’m an artist who loves to try out different ways of creating an art piece. I do a lot of experimenting to make the creative process interesting and discover new techniques. My goal is to have fun and to find new things that excite me, even within my existing passion — art.

If you could meet any artist dead or living, who would it be?

If I could, I’d want to meet them all, but I think Yayoi Kusama would be my first choice.

How has the visual arts department helped shape you as an artist?

The Department of Visual Arts introduced me to other people who are passionate about art. My professors, my classmates and my friends who are also studying art bring me new perspectives that drive me to create new things so I can become the best artistic version of myself.

Viet Khanh Nguyen

Self-Portrait Artwork

Artwork: Self-Portrait

Technique: Acrylic on masonite panel
Size: 32'' x 40''
Year: 2024

Description of artwork:
This is an acrylic painting of my self-portrait on a 32'' x 40'' masonite panel. Here, I am depicted in my artistic corner, applying a few final touches to a diorama made entirely of cardboard. The subject of the diorama is a building named the Mystery Shack from a cartoon show titled Gravity Falls, as it was my favourite show growing up.

Description of the creative process:

The theme for the painting, "Self-Portrait", is “The Artist in Context,” and it is a self-portrait. The painting is based on a photo reference my father took of me. This painting depicts me working on a diorama model of the Mystery Shack from the cartoon show Gravity Falls. Since this was a self-portrait assignment, I chose to depict diorama-making, as it is my hobby, and Gravity Falls is my favourite cartoon from my childhood. As the painting was an assignment for one of my painting classes, I experienced a restrained time frame, so I focused on techniques of corner-cutting in painting. I mostly focused on working on the details of objects in the foreground and neglected the ones in the back. In addition, I also utilized the technique of large, suggestive brush strokes rather than tedious and accurate ones to render and convey objects. This is visible through the chair and garbage bin.

Nougat Artwork

Artwork: Nougat

Technique: Acrylic on masonite board
Size: 36'' x 40''
Year: 2025

Description of artwork:
The painting depicts the fourth floor of my childhood house in my home country. I was inspired by the texture of nougat and chocolate rocks, so I rendered the foremost rock railing to look like a row of nougats. The rock groundings on the left bear two-dimensional patterns because I was experimenting with different patterns of lines. When the painting is observed closely, there is a red virus-like pattern that moves from the rock at the bottom left to the top left. This conveys the message of how a disease spreads through one’s body gradually. The disease then spreads throughout the wall.

Description of the creative process:

As for "Nougat", the theme for the painting was “Out of Place.” The painting is based on a photograph of the fourth floor of my childhood house. To make this painting out of place, I added caracals’ ear fur features on the leaves of the plants, tiny blue hairs on the rock railing, and the ambiguous stone sculpture at the front. I used this painting as a way to experiment with how different patterns of individual swirly lines convey the surface depicted. I experimented with these patterns with the rocks on the right, the rock railing and the wall.

About the Artist

A bit about yourself:

My name is Viet Khanh Nguyen, and I am from Vietnam. Our family moved to Ottawa and has lived here for 8 years. I am in the BFA program and currently in my third year. I’m focusing on painting with acrylic, as it is faster to work with. Besides painting, I also enjoy drawing, scrapbooking, reading, playing the piano, knitting and building dioramas with cardboard. I work at McDonald’s as a part-time job.

If you could meet any artist dead or living, who would it be?

If I could meet any artist, dead or alive, I would like to meet Sandy Skoglund, Matthias Weischer and David Schnell.

How has the visual arts department helped shape you as an artist?

The department has helped me grow as a painter through the encouragement of painting on larger surfaces and being swift in sketching overall compositions before going in with details when starting a painting. I was advised to be mindful of my colour palette. Furthermore, I adopted the habit of browsing the library and looking for books of contemporary artists to obtain inspiration and learn from observing the images of their works. Most importantly, I have learned to appreciate contemporary artworks, such as fibre art and immersive installations, instead of discarding them as rubbish and only praising paintings of the past.

Jeongmin Seo

Myself in the Mirror Artwork

Artwork: Myself in the Mirror

Technique: Acrylic
Size: 24.5'' x 23.5''
Year: 2023

Description of artwork:
Every object can be a tool to express myself, and what makes them more meaningful is that I sit in the middle mirror, and anyone can complete this painting by expressing themselves while looking at themselves in the middle of the mirror.

About the Artist

Description of the creative process:

I created my own painting of objects that meant me in 3D and placed them where I needed to be on the canvas so that I could shine the most when I was in the middle of the mirror. Although there are objects that mean me, I put a round mirror in the middle, meaning that it’s myself that means as much as I do in the mirror.

A bit about yourself:

I am a BFA student at uOttawa. I am focusing on paintings and drawings from my hearing and thoughts mainly.

If you could meet any artist dead or living, who would it be?

Van Gogh. I would like to ask why he vividly captured his experience, such as his feelings and depression, and how he evaluated himself while expressing it.

How has the visual arts department helped shape you as an artist?

They gave me confidence and courage because I had a hard time expressing myself. And I was able to share the art values and skills of many people with various artworks and their explanations, give them various experiences and knowledge, and help me build my own style of work. I feel grateful for continuing to inform the depth of many arts.

Winner Tshibangu

Vision du monde artwork

Artwork: Vision du monde (worldview)

Technique: Acrylic on wood
Size: 36'' x 36''
Year: 2024

Description of artwork:
This work represents the world and how it’s changing. With the acrylic technique, I was able to imbue the painted elements with a feeling of endurance. My intention was to encourage viewers to reflect on perceptions of space, the difference between appearances and reality, and the need to adapt to survive. The work I’ve created is original, unique and simultaneously inspired and imagined.

Description of the creative process:

Drawing on my techniques and my skills, for "Vision du monde", I play with colour and texture to create a unique work. I have an easy time bringing out the lines I’m drawing, arranging the composition of my work and stimulating a flood of ideas. They symbolize connections or walks of life, prompting self-reflection. I work from a specific space that I’ve photographed and then create an imaginative scene. This way, the subject acts as the gateway to immersing the viewer in my ingenious, action-packed creation.

Chasseur Vs Roi lion artwork

Artwork: Chasseur vs Roi Lion (hunter vs. lion king)

Technique: Acrylic on wood
Size: 36'' x 36''
Year: 2024

Description of artwork:
For this painting, I added a personal touch to the subjects’ typical body language. I drew my inspiration from David, the biblical shepherd, and from one of the comic strips I drew. With this creative work inspired by my relationship with communication, I aim to draw the viewer’s attention to the message this painting has to convey.

Description of the creative process:

As for "Chasseur vs Roi Lion" my intention was to show viewers how I visually interpret African stories. When we see the two subjects, we notice the chiaroscuro technique — the personal touches of the energetic brush strokes that evoke feelings of unease and fear in the bodies of the hunter and the lion king, and in the surrounding greenery. The range of colours used helps create more contrast, as if the lion king and the hunter were really in this space and leaving a tangible impact on it (light, shadow, etc.). What you notice is that there’s more to the battlefield than meets the eye in the painting, with the lion’s injuries suggesting that the fight started long before reaching this point. Through this idea, the work seeks to encourage the viewer to ask themselves what’s going on in the scene, to think up a story in their head, etc.

About the Artist

A bit about yourself:

I’m a Congolese international student in the visual arts program at the Faculty of Arts. As a multidisciplinary artist and innovator, I’ve been passionate about a variety of techniques (painting, drawing, sculpting, installations and design) since I was a young child. My day-to-day inspiration comes from life, the environment and nature, which produce artistic challenges and opportunities for fulfilment. This means I have a range of opportunities to grow, thrive and create, encouraging me to discover new methods, subjects and media while boosting my creativity and confidence.
 

If you could meet any artist dead or living, who would it be?

Eugène Delacroix (1798–1863), the master of romanticism. He’s one of those artists whose works have done the most to fuel my imagination with the way they depict history, myths, stories, legends, etc.
 

How has the visual arts department helped shape you as an artist?

The Department of Visual Arts has helped me hone my skills as a visual artist by encouraging me to explore my creativity in depth. With support from my professors, I got out of my comfort zone, allowing me to try new things in the art world.

Mya Turner

Oh, Ophelia Artwork

Artwork: Oh, Ophelia

Technique: Acrylic on wood
Size: 20'' x 18''
Year: 2024

Description of artwork:
This self-portrait project was the first self-portrait I ever created. It is a self-insert into Friedrich Wilhelm Theodor Heyser’s portrait of Ophelia, a deeply touching piece on an amazing female character. This is genuinely the longest a painting has taken me. Spending hours staring at your own face can be kind of surreal, especially with a warped vision of yourself.

About the Artist

Description of the creative process:

My creative process for this piece was one of great frustration but overwhelming reward. Staring at a photo of your own face for hours on end when you have a very warped perception of how you look is a challenge in itself. Then, having to properly portray it the way others see you is even more difficult. However, the more I got into this painting, the more I realized I should follow the feeling. Channel the inner feelings of Ophelia rather than paint my own frustration. This is by far my favourite piece I have made for this reason.

A bit about yourself:

I am a third-year visual arts student with a special interest in religious/cultural art forms. I have taken up a minor in religion to better understand the history of art and the symbols we see so often. I have a deep interest in history and humans in general. Capturing the beauty of our world and people themselves is all I hope to accomplish.

If you could meet any artist dead or living, who would it be?

Vincent van Gogh. As someone who has a deep passion for art and deals with many of the same mental challenges and illnesses he did, it’s an inspiration. The first time I saw “The Starry Night,” I knew I wanted to be able to paint like that one day. I fell in love with art itself because of him and his colour work. I take inspiration from him daily in my painting and passion.

How has the visual arts department helped shape you as an artist?

This department has helped my ability so much. Between Andrew Morrow dragging me out of my comfort zone, Jennifer’s encouragement and Cristian Zaelzer’s precise critique, my art is incomparable to before I arrived. It truly seems like a different person. I have found myself and my people in this program, and I finally truly believe I have an artistic voice.